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Cinematographer resume example

Professional resume for Fiona Brogan, a Dublin-based Cinematographer with extensive narrative, documentary, and commercial production credits.

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Fiona Brogan

Cinematographer | Director of Photography

[email protected]

Dublin

Professional Summary

Dublin-based Cinematographer experienced in crafting visual tone and dynamic compositions across narrative features, episodic television, and documentary productions. Proven track record leading camera and lighting crews through meticulous pre-production testing, on-set problem solving, and collaborative post-production colour grading.

Production Experience

Bannow Bay Pictures

Dublin, Ireland

Cinematographer

Mar 2020 – Present

  • Direct photography across narrative featurettes, television drama episodes, and branded campaigns, establishing comprehensive visual language and lighting continuity.
  • Collaborate directly with directors, production designers, and colourists through pre-production shot-listing, camera testing, and final DI grading passes.
  • Supervise camera and lighting departments of up to 14 crew members, overseeing camera packages, specialty rigging, and set electrical safety.
  • Pioneered low-light LED setups and tailored anamorphic lens pairings for two broadcast documentaries, reducing set relocation times by 20%.

Kestrel Motion Pictures

Dublin, Ireland

Camera Operator

Aug 2015 – Feb 2020

  • Operated primary A-camera on four independent feature projects and seven commercial broadcasts across Ireland and the UK.
  • Engineered complex tracking shots utilising Steadicam setups, technocranes, and vehicle-mounted remote heads in outdoor conditions.
  • Coordinated daily setup requirements between the director of photography and the grip and electrical departments.

Slaney Media Works

Dublin, Ireland

First Assistant Camera (1st AC)

Sept 2010 – Jul 2015

  • Managed focus pulling on high-speed spherical and vintage anamorphic lenses across episodic television shoots.
  • Supervised digital imaging technician (DIT) pipelines, on-set data backups, and daily dailies distribution for production editorial.
  • Conducted routine prep, lens calibrations, and daily maintenance on digital cinema packages and wireless follow-focus systems.

Education

National Film School at IADT

Bachelor of Arts (Honours) · Film and Television Production (Cinematography) · Dún Laoghaire, Ireland · First Class Honours · Sept 2006 – Jun 2010

Specialised in camera operation, sensitometry, and optical science, shooting final-year graduation drama on 16mm film stock.

Received the National Film School Commendation for Excellence in Visual Storytelling for graduate cinematography portfolio.

Selected Productions

An Cuan (Short Narrative Film)

Apr 2023 – Sept 2023

  • Served as Director of Photography for a 28-minute festival-screened historical short filmed on location in County Wicklow.
  • Executed atmospheric, period-appropriate lighting schemes using practical sources and diffused daylight setups within remote heritage interiors.

Atlantic Tides (Documentary Mini-Series)

Aug 2021 – May 2022

  • Shot a four-part natural history series tracking conservation efforts across the west of Ireland under challenging weather conditions.
  • Operated large-format cinema cameras with long telephoto zooms and stabilised gimbal systems from small marine vessels.

Core Competencies

Lighting Design

Lens Selection & Optics

ARRI Alexa & Sony Venice Systems

Camera Rigging & Stabilisation

Exposure Metering & Sensitometry

Shot Composition & Framing

DaVinci Resolve Workflow

Pre-visualisation & Storyboarding

Set Safety & Crew Leadership

Location Shooting

Languages

English

C2

Irish

B2

Certifications

Safe Pass Health and Safety Certification

SOLAS · Apr 2024

Certified Camera Systems Specialist (ALEXA Mini LF & Large Format Optics)

ARRI Academy · Nov 2021

Industry Engagement

Screen Craft Mentorship Network

Dublin, Ireland · Jan 2022 – Present

  • Cinematography Mentor
  • Lead hands-on workshops on exposure, camera packages, and set protocol for emerging female and non-binary camera department crew.
  • Mentor two early-career camera assistants annually through on-set shadows and portfolio reviews.

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